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大师作品
The Man Who Grew His Beard collects seven short stories. Though each stands alone, they are intertwined thematically, offering peeks into the minds of semi-autistic, achingly isolated men, their feverish inner worlds and how they interact and contrast with their real environment. Though Schrauwen taps ‘surrealist’ or ‘absurdist’ impulses in his work, you will not read a more careful and precise collection of stories this year. The stories included are: “Hair Types,” a hilarious piece that on the surface explores the pseudoscientific classification of personality as a function of hair but becomes something more akin to a fable about self-fulfilling prophecy; “Chromo Congo,” a silent story about two men on safari who meet a corpulent and obnoxious hunter; as well as “The Task,” “The Man Who Grew His Beard,” “The Lock,” “The Cave,” and “The Imaginist.”
《留胡子的人》收集了七篇短篇小说。虽然每一部小说都是独立的，但在主题上却交织在一起，让人们得以窥探半自闭症、极度孤立的男性的思想、他们狂热的内心世界，以及他们与现实环境的互动和对比。尽管施劳恩在他的作品中使用了“超现实主义”或“荒诞主义”的冲动，但今年你不会读到比他更仔细、更精确的小说集了。这些故事包括:《头发类型》(Hair Types)，这是一篇搞笑的文章，表面上探讨了把性格分类为头发的功能的伪科学，但实际上更像是一个关于自我实现预言的寓言;《刚果人种》(Chromo Congo)是一个无声的故事，讲述了两个在狩猎旅行中遇到一个肥胖而令人讨厌的猎人的故事;以及《任务》、《留胡子的男人》、《锁》、《洞穴》和《幻想家》。
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